BENEATH OUR MIRRABOOKA SKY
© Brenda Joy, 2012
Winner of the ‘Australian Written Poetry Champion’ and ‘The Silver Brumby’ awards in the 2012 ABPA National Championships held in conjunction with The Man From Snowy River Bush Festival, Corryong Victoria, 29th March — 1st April, 2012.
		In the moisture-laden atmosphere 
		of a pre-monsoonal noon
		where the almost-water air clung like a cloak,
		in the shade of verdant over-growth 
		where a city’s waste was strewn,
		sat a bone-bare, Aboriginal, old bloke.
		
		His demeanour spoke of poverty 
		and his posture spoke of shame,
		while his tattered, dirty clothes bespoke neglect.
		With his hand outstretched for dole and drink, 
		like a victim laying blame,
		he appeared bereft of pride or self-respect.
		
		What had dragged this elder down towards 
		such a pitiful demise
		where he wasted daylight hours in a daze
		on the fringe of town society? 
		I could only but surmise 
		what had caused abandonment of tribal ways.
		
		Were his half-caste brethren harshly forced 
		from their kin, their home, their time,
		to a twilight zone, identity displaced?
		Have his children sunk through drugged defeat 
		into violence and crime;
		has the honourable Dreamtime been disgraced?
		
		Then it seemed that he entrapped my gaze. 
		From a prehistoric dawn
		I could hear my name resound in ancient cries —
		overwhelming sense of wonderment.
		In an instant I was drawn
		to the Dream within those coal-black, deep-set eyes.
		
		And the ancient rites of passage stirred 
		a vibration in my soul
		as the throb of didge and clapping stick resumed,
		to attune me to the rhythmic pulse 
		of a people proud and whole
		and the chant from past corroboree consumed.
		
		Then the magic names of ancestors 
		from the first creative race,
		like a mantra only hearts could understand,
		in a sacred ritual of sound 
		linked the people to their place,
		through their reverential worship of the land.
		
		And he danced just like his totem bird, 
		with his arms, like wings, spread wide,
		in Arella ring with nullah, sling and spear.*
		Dirawong and Bunjil, Baiame,*
		were the spirit names he cried
		with a resonance that only hearts could hear.
		
		Then the vision left my inner sight 
		and the fleeting glimpse was o’er —
		I was back in busy city din and grime
		and the bone-bare Aborigine 
		was left destitute once more,
		like a misplaced remnant from another time.
		
		But I’d known the bond of unity
		and I looked with wiser gaze
		and the pity I’d been feeling turned to pride
		that custodians of ancient race
		have survived to modern days
		with ancestral spirit kept alive inside.
		
		We cannot erase the damage done 
		but the promise lies ahead
		and the message from long past has timely worth,
		for the tribal lore that they revere 
		in their Dreaming is not dead
		if we share their love and caring for our earth.
		
		Though the symbols used are not the same 
		we all have a Dreamtime song
		of a pristine land to lift our spirits high.
		We can live in tune with Mother Earth
		for together we belong
		’neath an unpolluted Mirrabooka sky.*
		
		
		* Glossary of Aboriginal terms
		Arella — ceremonial ring
		nullah — club like weapon
		Dirawong, Bunjil, Baiame — names of Spirit Ancestors from Dreamtime legends
		Mirrabooka — in many Aboriginal languages, means ‘Southern Cross’. 
		
		
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