Every story must have...
Posted: Sun Oct 11, 2015 9:30 am
Hal kindly referred to this poem in his President's Report in the latest magazine. It, along with Brenda's Snowy - The Reflections of a River, was selected for inclusion in Award Winning Australian Writing 2015 (Melbourne Books). I thought it might be of interest because, apart from being free verse, it has an unusual structure, and it also shows a use of italics, something we discussed recently in another thread. It won the free verse section of this year's Freexpression competition, which was judged by our own well-known poet Ron Stevens.
Cheers
David
Every story must have...
an end…
arriving home to bury the old bastard, hammer
the casket shut, convince myself he is
dead. The town is eviscerated, slumped
in the idle dust, scavengers picking the carcase
clean behind a phalanx of wind-blasted hills,
defying wasteland. Here I can learn to hate
anew.
Imagine he has only gone to the next room.
Death’s artist has sculpted his face, carved
the pitted canvas sandpaper-smooth,
chiaroscuro in the stained-glass afternoon
light. That it should come to this: a heart-attack
is escape, not vengeance. It should have been
my hand, the knife sliding sweetly
through to the heart, his eyes finally
fixed on mine.
Do not stand by his grave and weep.
My mother will not look at me. Her hands
flutter at imaginary birds, pluck
soft words from the vacuum of piety, dart
momentarily at memories cremated
in irrelevance. Until only her voice remains,
still feigning ignorance, mouthing
a fog of platitudes.
He shall not grow old, as we that are left grow old.
Bury the devil deep. I want him to know Hell,
the weight of earth, the dank press of cold clay
on flesh, internal gases rupturing the violet,
buttery skin. I want him to feel
my pain.
For everything there is a season.
a middle…
in the lost years, kaleidoscoping
a rainbow of stars against a gunmetal sky,
smoke thick on needled skin. Laughter
bubbles in lamplight licking
the buckled edge of a silver spoon
upended in the ash.
A daughter is a gift of love.
Time is elastic, space a four-dimensional
hologram shimmering just beyond
reach. Days are ephemeral
ghosts, nights the intoxicating
fuzz of diamond voices glitter-bright
with revelation. I am ecstasy’s
acolyte.
Angels are often disguised as daughters.
There is only the moment. I am breaking
the bones of memory, sucking the marrow
from childhood. No forward, no back,
just the torn school dress
tossed among the pizza boxes
and empty bottles.
A mother’s treasure is her daughter.
and a beginning…
with a silent shadow
in the bedroom doorway,
fornicating fingers busy in suffocating
darkness. I am stripped
of life, dreaming of sunshine days
on a swing in the park before
my awakening.
Sing a song of sixpence, a pocket full of rye.
I am struck dumb, rendered mute
by a horror that has no name
in the cement-sheet suburbs
of the blind.
Four-and twenty blackbirds baked in a pie.
Outside, the faces at the table
joke and smile, innocence
crushed by the jackboot
of disbelief.
When the pie was opened the birds began to sing.
For there is always another night
when the door opens…
Wasn’t that a dainty dish to set before the king?
© David Campbell
Cheers
David
Every story must have...
an end…
arriving home to bury the old bastard, hammer
the casket shut, convince myself he is
dead. The town is eviscerated, slumped
in the idle dust, scavengers picking the carcase
clean behind a phalanx of wind-blasted hills,
defying wasteland. Here I can learn to hate
anew.
Imagine he has only gone to the next room.
Death’s artist has sculpted his face, carved
the pitted canvas sandpaper-smooth,
chiaroscuro in the stained-glass afternoon
light. That it should come to this: a heart-attack
is escape, not vengeance. It should have been
my hand, the knife sliding sweetly
through to the heart, his eyes finally
fixed on mine.
Do not stand by his grave and weep.
My mother will not look at me. Her hands
flutter at imaginary birds, pluck
soft words from the vacuum of piety, dart
momentarily at memories cremated
in irrelevance. Until only her voice remains,
still feigning ignorance, mouthing
a fog of platitudes.
He shall not grow old, as we that are left grow old.
Bury the devil deep. I want him to know Hell,
the weight of earth, the dank press of cold clay
on flesh, internal gases rupturing the violet,
buttery skin. I want him to feel
my pain.
For everything there is a season.
a middle…
in the lost years, kaleidoscoping
a rainbow of stars against a gunmetal sky,
smoke thick on needled skin. Laughter
bubbles in lamplight licking
the buckled edge of a silver spoon
upended in the ash.
A daughter is a gift of love.
Time is elastic, space a four-dimensional
hologram shimmering just beyond
reach. Days are ephemeral
ghosts, nights the intoxicating
fuzz of diamond voices glitter-bright
with revelation. I am ecstasy’s
acolyte.
Angels are often disguised as daughters.
There is only the moment. I am breaking
the bones of memory, sucking the marrow
from childhood. No forward, no back,
just the torn school dress
tossed among the pizza boxes
and empty bottles.
A mother’s treasure is her daughter.
and a beginning…
with a silent shadow
in the bedroom doorway,
fornicating fingers busy in suffocating
darkness. I am stripped
of life, dreaming of sunshine days
on a swing in the park before
my awakening.
Sing a song of sixpence, a pocket full of rye.
I am struck dumb, rendered mute
by a horror that has no name
in the cement-sheet suburbs
of the blind.
Four-and twenty blackbirds baked in a pie.
Outside, the faces at the table
joke and smile, innocence
crushed by the jackboot
of disbelief.
When the pie was opened the birds began to sing.
For there is always another night
when the door opens…
Wasn’t that a dainty dish to set before the king?
© David Campbell