Benchmark

Discussion of any bush poetry topic.
ONLY Registered Forum Members have access to this Forum.
User avatar
Maureen K Clifford
Posts: 8056
Joined: Tue Nov 09, 2010 10:31 am
Location: Ipswich - Paul Pisasale country and home of the Ipswich Poetry Feast
Contact:

Re: Benchmark

Post by Maureen K Clifford » Tue Nov 25, 2014 9:47 pm

Heather should have given him a fair dinkum brumby :lol:

But the pony Heather gave him was a plugger – placid, tame
and the fire had long departed from his soul -
our bloke needed one with spirit, something curbed by snaffle rein
a stallion , an entire, hale and whole.
So they found for him a brumby one whose mettle was not curbed
and they told him ‘do not use the whip or spur’
but the cocky would be jackaroo claimed this he had not heard
and never yet was mountain horse a cur.
Check out The Scribbly Bark Poets blog site here -
http://scribblybarkpoetry.blogspot.com.au/


I may not always succeed in making a difference, but I will go to my grave knowing I at least tried.

User avatar
David Campbell
Posts: 1232
Joined: Sun Nov 28, 2010 10:27 am
Location: Melbourne
Contact:

Re: Benchmark

Post by David Campbell » Tue Nov 25, 2014 10:09 pm

Maureen, you underestimate that colt! Here are three more stanzas (and if anybody's wondering what this has to do with Heather's original question...it has everything to do with Heather's original question.)

For no sooner had they started than the colt just up and reared…
it was squealing like a demon straight from hell…
then it bolted in an instant and had almost disappeared
when she heard the city bloke’s first frantic yell.
He was going like the clappers pretty near the speed of light,
in a cloud of dust that vanished down the track;
he was hanging on like crazy in the horse’s headlong flight,
and she wondered how on earth she’d get him back.

So she rode out wide to wheel him, but he shot off through the scrub,
where the wombat holes mean any slip is death;
he was hit by passing branches, lashed by whipping bush and shrub,
and she feared that he might draw his final breath.
For the earth was doing cartwheels as the sky swung overhead,
and he’d left his stomach quite a way behind,
while his legs were flailing madly and his life hung by a thread…
it appeared the city bloke might lose his mind.

She could sense his mounting terror, hear his panic-stricken cries
that were echoed by the distant cliffs and crags,
as the colt ran helter-skelter, down a slope and up a rise,
with a terrifying burst of zigs and zags.
Through the stringybarks and saplings, on the rough and broken ground,
and across a little, rocky, babbling brook,
then he jumped a fallen redgum in a single mighty bound…
she could see him ending up in Tallarook.

warooa

Re: Benchmark

Post by warooa » Wed Nov 26, 2014 5:46 am

Looking forward to the next instalment David ;)

Cheers, Marty

manfredvijars

Re: Benchmark

Post by manfredvijars » Wed Nov 26, 2014 7:08 am

... me too ... :D

Heather

Re: Benchmark

Post by Heather » Wed Nov 26, 2014 7:32 am

More, more! If he's at Tallarook he'll be on my doorstep for a cuppa soon - better get the billy on. :)

Heather :)

User avatar
Gary Harding
Posts: 658
Joined: Sat Oct 12, 2013 3:26 pm
Location: Hervey Bay, Qld (ex Victorian)
Contact:

Re: Benchmark

Post by Gary Harding » Wed Nov 26, 2014 8:42 am

That is an interesting question Heather. :)

In my view the poetic writing of the Masters engenders enormous popularity and that popularity creates the wave upon which their writing is carried forward in time.

Rather than a benchmark, I might suggest that their writing is an "example" to others. Any writing "rules" are subtle rather than evident, as it should be.

One thing they seem to generate is "warmth". Yeah, funny word to use I know.

They have a special way of truly making friends with the reader. They reach out, put their arm around your shoulder and take you on a journey through life and the wondrous English language. Henry Lawson seems to have a drink with you (which he liked!) and say "Yes, we have both been there haven't we... laughed, seen things, battled, and occasionally suffered too..."

Poems written for the readers... and not in spite of them. In my humble opinion.

Anyway, becoming too analytical is academic and can render poems impersonal and spoil them.

I just cannot read The Fire At Ross's Farm HL or Jim Of The Hills C J Dennis without getting embarrassingly and overtly emotional. What a sook! That is Power Writing from the Masters. It reaches into your soul and makes you see that you are human and not so tough. You cannot help but love the writer.

I might say that age alone (poetry at the turn of the century) does not make poetry good. Much to my chagrin, I have bought bush poetry books blind thinking because they were contemporaries of Henry Lawson when standards were high, they would be great. Frequently I have been very disappointed.. ooops there goes $50.

So Yes ... exactly as you say Heather!! in a nutshell. It is precisely because "their writing gained a large following" that their writing is today still an example to others. Popular appeal.. which has to be earned.

My only gripe if I had one Heather, would be that "the others" you refer to, unfortunately do not get a share of deserved recognition.

Yeah, everyone knows Henry Lawson, Banjo Paterson, CJ Dennis ... household names for sure.... but there are several other (lower tier?) poets who may not be quite household names ... and yet deserve to be. Mind you, being a household name these days means you need to be an actor, model or a politician, so maybe that is not the ideal "benchmark" for success any more?.... :)

all IMO of course. cheers!

Heather

Re: Benchmark

Post by Heather » Wed Nov 26, 2014 8:51 am

David I hope the "Wildman of Tallarook" doesn't get our intrepid rider! :)

It's more than being an "example" Gary. Lawson, Paterson (there you go Marty!), O'Brien, etc (other names I can't remember) are regularly given as examples of how "bush" poetry "should" be written and if they did it that way then we should too. I've heard it a lot. I want to know "who" and "when" it was decided that that's the way it "should" be write. That's a lot of inverted commas isn't it? :lol:

Heather :)

User avatar
Bob Pacey
Moderator
Posts: 7479
Joined: Thu Dec 02, 2010 9:18 am
Location: Yeppoon

Re: Benchmark

Post by Bob Pacey » Wed Nov 26, 2014 9:04 am

I rest my case been saying that for years Heather.

any way got that out of the way now where is the rest of the story !

Bob
The purpose in life is to have fun.
After you grasp that everything else seems insignificant !!!

User avatar
David Campbell
Posts: 1232
Joined: Sun Nov 28, 2010 10:27 am
Location: Melbourne
Contact:

Re: Benchmark

Post by David Campbell » Wed Nov 26, 2014 10:57 am

Okay, here's the full poem, including the all-revealing final three stanzas (especially for Bob!). Then it's up to the court of public opinion as to whether Vernon Igor "Ukulele" Patterson becomes a household name.

Cheers
David

The Man From Yarra River

He had driven up from Melbourne for a country holiday,
in his Blunnies, his Akubra, and his jeans,
for he reckoned that a bushman had a life that looked okay,
far away from city traffic and machines.
He was heading for Glenrowan, where Ned Kelly made his stand,
and in Kilmore he had stopped to have a bite
at the famous pub Red Lion, very stately and quite grand,
where he met a girl called Heather, surname Knight.

He approached her for assistance as he had a noble quest
that has haunted quite a few Australian men,
for he longed to be a horseman, one acknowledged as the best,
and he reckoned Heather knew a thing or ten.
For he saw himself a hero, mounted proudly on his steed,
with a skill that held the rest of them in thrall,
as he showed the local riders an amazing turn of speed,
for his talent was the envy of them all.

“Would you come and help me, Heather, for I’d like to learn to ride
like the man from Snowy River used to do,
and if someone could assist me, as my mentor and my guide,
in a day or two I’ll be a jackaroo!
’Cause I reckon it looks easy when I’ve seen it on TV,
and I’ve ridden on a Shetland at the Show…
it is just a case of rhythm, and some pressure with the knee,
and a horse will take me where I want to go!”

Heather stared at him a moment, but then gave a quiet smile,
and agreed that she would help him with his quest,
for if he was such a rider it would only take a while,
and he’d surely be the fastest and the best.
So she put him in the saddle of a fairly placid colt,
to begin at quite a slow and steady pace…
and she swore forever after that it wasn’t all her fault,
that what happened was a freak of time and place.

For no sooner had they started than the colt just up and reared…
it was squealing like a demon straight from hell…
then it bolted in an instant and had almost disappeared
when she heard the city bloke’s first frantic yell.
He was going like the clappers pretty near the speed of light,
in a cloud of dust that vanished down the track;
he was hanging on like crazy in the horse’s headlong flight,
and she wondered how on earth she’d get him back.

So she rode out wide to wheel him, but he shot off through the scrub,
where the wombat holes mean any slip is death;
he was hit by passing branches, lashed by whipping bush and shrub,
and she feared that he might draw his final breath.
For the earth was doing cartwheels as the sky swung overhead,
and he’d left his stomach quite a way behind,
while his legs were flailing madly and his life hung by a thread…
it appeared the city bloke might lose his mind.

She could sense his mounting terror, hear his panic-stricken cries
that were echoed by the distant cliffs and crags,
as the colt ran helter-skelter, down a slope and up a rise,
with a terrifying burst of zigs and zags.
Through the stringybarks and saplings, on the rough and broken ground,
and across a little tumbling, babbling brook,
then he jumped a fallen redgum in a single mighty bound…
she could see him ending up in Tallarook.

And they sent the flint stones flying, but the pony kept its feet
as it took the hills and gullies in its stride,
with the man from Yarra River clinging grimly to his seat…
it was hard to watch that city slicker ride!
Heather lost them for a moment as they vanished in the trees,
and she wondered at the danger still to come,
but she rode on resolutely when she heard him shout: “Oh please!
I’ve had quite enough of this…I want my Mum!”

And she caught them in a clearing where she turned the pony’s head,
as she fought to end that crazy, headlong flight,
till it stood, foam-flecked and trembling, and quite willing to be led,
while its rider simply sat there, deathly white.
He was broken, cowed, and beaten, so she took him to her place
for a cuppa and a freshly buttered scone,
and they sat awhile in silence, both quite weary from the chase,
till he mumbled it was time that he was gone.

So he drove back out of Kilmore, having said his sad good-byes,
and he travelled home to Melbourne once again,
firmly vowing that in future he would be more worldly-wise,
for he was no mountain horseman, that was plain.
But, though unknown in the city, and no longer feeling blue,
up round Kilmore he is famous far and wide
as the man from Yarra River, for soon all the country knew
how a girl of just eighteen had saved his hide.
Last edited by David Campbell on Fri Dec 05, 2014 10:17 am, edited 1 time in total.

User avatar
Maureen K Clifford
Posts: 8056
Joined: Tue Nov 09, 2010 10:31 am
Location: Ipswich - Paul Pisasale country and home of the Ipswich Poetry Feast
Contact:

Re: Benchmark

Post by Maureen K Clifford » Wed Nov 26, 2014 11:10 am

LOVE IT - Bravo David Bravo :lol: :lol:
Check out The Scribbly Bark Poets blog site here -
http://scribblybarkpoetry.blogspot.com.au/


I may not always succeed in making a difference, but I will go to my grave knowing I at least tried.

Post Reply